Jean Jannon
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Jean Jannon (died 20 December 1658) was a French
Protestant Protestantism is a Christian denomination, branch of Christianity that follows the theological tenets of the Reformation, Protestant Reformation, a movement that began seeking to reform the Catholic Church from within in the 16th century agai ...
printer, type designer,
punchcutter Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould sh ...
and typefounder active in Sedan in the seventeenth century. He was a reasonably prolific printer by contemporary standards, printing several hundred books.


Career

Jannon began his career as a printer, first attested in Paris, where he apparently worked for the Estienne family in his early career, and then in Sedan. He mentions in one preface of hearing of the early history of printing in
Mainz Mainz () is the capital and largest city of Rhineland-Palatinate, Germany. Mainz is on the left bank of the Rhine, opposite to the place that the Main (river), Main joins the Rhine. Downstream of the confluence, the Rhine flows to the north-we ...
, so possibly he served an apprenticeship in Germany. Jannon may have left Paris due to lack of work there or personal conflicts: his friend at the time, diarist Pierre de L'Estoile recorded in his diary that he met with disapproval with Huguenot authorities for taking on the job of printing a piece of Catholic propaganda. According to d'Estoile the response of formal approbation from local Huguenot authorities "upset him badly", and he commented that they would be worse than Jesuits if given the chance. Jannon married first Anne de Quingé, who died in 1618. Two years later he married Marie Demangin, who had had left her husband. A report from the Council of the Reformed Church of Mainz confirming that the remarriage was acceptable described as her former husband's conduct as a proven series of "adulteries, polygamies and debaucheries". After working in Paris Jannon established a career as printer for the Protestant Academy of Sedan in what is now north-eastern France. Sedan at the time enjoyed an unstable independence as a
principality A principality (or sometimes princedom) can either be a monarchical feudatory or a sovereign state, ruled or reigned over by a regnant-monarch with the title of prince and/or princess, or by a monarch with another title considered to fall under ...
at a time when the French government had conceded through the
Edict of Nantes The Edict of Nantes () was signed in April 1598 by King Henry IV and granted the Calvinist Protestants of France, also known as Huguenots, substantial rights in the nation, which was in essence completely Catholic. In the edict, Henry aimed pr ...
to allowing a complicated system of restricted liberties for Protestants. He also established a second career as a punchcutter, in his thirties by his report. In 1640 he left Sedan and returned to Paris. Despite his religious views, the royal printing office of France bought matrices, moulds used to cast metal type, from him in 1641 for three large size of type. These matrices survive and remain in the government collection. He was otherwise particularly respected for his engraving of an extremely small size of type, known as ''Sédanoise'', which was popular. In 1640, Jannon left Sedan for Paris to take over the press of his son, who had recently died. Four years later, his printing office in
Caen Caen (, ; nrf, Kaem) is a commune in northwestern France. It is the prefecture of the department of Calvados. The city proper has 105,512 inhabitants (), while its functional urban area has 470,000, Following his death, the printing-office at Sedan continued in operation; his family gave up his type foundry in 1664. It was reported to been taken over by Langlois in Paris, although Abraham van Dijck in the 1670s said he intended to buy matrices from Sedan so (if his information was not out of date) some materials might have remained there.


Types

Jannon engraved decorative material, signed with an II monogram. He took up engraving metal type-quite late in life by the standards of the period, in his thirties by his report. Jannon wrote in his 1621 specimen that:
Seeing that for some time many persons have had to do with the art
f printing F, or f, is the sixth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ef'' (pronounced ), and the plural is ''efs''. Hist ...
who have greatly lowered it…the desire came upon me to try if I might imitate, after some fashion, some one among those who honourably busied themselves with the art, en whose deathsI hear regretted every day annon mentions some eminent printers of the previous century€¦and inasmuch as I could not accomplish this design for lack of types which I needed… ome typefounderswould not, and others could not furnish me with what I lacked oI resolved, about six years ago, to turn my hand in good earnest to the making of punches, matrices and moulds for all sorts of characters, for the accommodation both of the public and of myself.
Jannon was one of the few punchcutters active in early seventeenth century France. This is perhaps owing to an economic decline over the previous century and due to pre-existing typefaces made during the mid-sixteenth century saturating the market. Jannon's typefaces are based on the style of the previous century, especially the roman. Some differences in the roman are his characteristic 'a' with a curved bowl and the top left serifs of letters such as 'm' and 'p', with a distinctive scooped-out form. His italics are more distinctive and eccentric, being steeply slanted and with very obviously variable angle of slant on the capitals. Opinions on the aesthetic quality of his type has varied: Warde thought it "so technically brilliant as to be decadent...of slight value as a book face",
H. D. L. Vervliet Hendrik Désiré Louis 'Dis' Vervliet (Antwerp, 31 December 1923 â€“ August 2020) was a Belgium, Belgian librarian and historian of books and printing. Life Vervliet was born into a working-class family and received a doctorate in classical ...
described it as "famous not so much for the quality of the design but as for the long-term confusion it created" and Hugh Williamson considered his type to lack the "perfection of clarity and grace" of the sixteenth century, although many reproductions of his work were certainly popular in printing in the twentieth century.


Garamond misattribution

Despite a distinguished career as a printer, Jannon is perhaps most famous for a long-lasting historical misattribution. In 1641, the
Imprimerie royale IN Group (french: IN Groupe) is a French company specialized in the production of secure documents such as identity cards and passports, which it designs and sells to various governments and companies. It is the continuation of the Imprimerie Na ...
, or royal printing office, purchased
matrices Matrix most commonly refers to: * ''The Matrix'' (franchise), an American media franchise ** ''The Matrix'', a 1999 science-fiction action film ** "The Matrix", a fictional setting, a virtual reality environment, within ''The Matrix'' (franchis ...
, the moulds used to cast
metal type In typesetting, a sort or type is a block with a typographic character etched on it, which is lined up with others to print text. In movable-type printing, the sort or type is cast from a matrix mold and assembled by hand with other sorts be ...
, from him. By the mid-nineteenth century, Jannon's matrices formed the only substantial collection of printing materials in the Latin alphabet left in Paris from before the eighteenth century. The matrices came to be attributed to
Claude Garamond Claude Garamont (–1561), known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal ty ...
(d. 1561), a revered punchcutter of the sixteenth century who was known to have made punches for the government in the Greek alphabet, albeit a century before the Imprimerie was established. The attribution came to be considered certain by the Imprimerie's director Arthur Christian. Doubt began to be raised by historian Jean Paillard in 1914, but he died in the First World War soon after publishing his conclusions and his work remained little-read. Several early revivals of Jannon's type were made under the name of 'Garamond'. 'Garamond' fonts actually based on Jannon's work include American Type Founders'
Garamond Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and b ...
, later reissued by Linotype as Garamond No. 3,
Monotype Garamond Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and bo ...
, the version included with
Microsoft Office Microsoft Office, or simply Office, is the former name of a family of client software, server software, and services developed by Microsoft. It was first announced by Bill Gates on August 1, 1988, at COMDEX in Las Vegas. Initially a marketin ...
, and
Frederic Goudy Frederic William Goudy (, March 8, 1865 – May 11, 1947) was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley. He was one of the most prolific of American type designers and ...
's Garamont (following the most common spelling of Garamond's name in his lifetime). The mistake was finally disproved in 1926 by
Beatrice Warde Beatrice Lamberton Warde (September 20, 1900 â€“ September 16, 1969, née Beatrice Becker) was a twentieth-century writer and scholar of typography. As a marketing manager for the British Monotype Corporation, she was influential in the deve ...
(writing under the pseudonym of "Paul Beaujon"), based on the work of Paillard and her discovery of material printed by Jannon himself in London and Paris libraries. A former librarian at American Type Founders, she had been privately told by the company's archivist
Henry Lewis Bullen Henry Lewis Bullen (1857 – April 27, 1938) was an American printer and typographic archivist. Early life Henry Lewis Bullen was born in 1857 in Ballarat, Australia to American-Scotch parentage. He left school at 14 to become a printers appr ...
(perhaps aware of Paillard's work) that he doubted his company's "Garamond" was really from the sixteenth century, noting that he could not find it used in a book from the period.
František Štorm František "Franta" Štorm (born 3 July 1966) is a Czech musician, photographer, typographer, writer, teacher, artist, illustrator and record producer, famous for being the vocalist and a founding member of the black metal band Master's Hammer. ...
's 2010 revival, Jannon Pro, is one of the few modern revivals of Jannon's work released under his name.


Caractères de l'Université

By the nineteenth century, Jannon's matrices had come to be known as the ''Caractères de l'Université'' (Characters of the University). The origin of this name is uncertain. It has sometimes been claimed that this term was an official name designated for the Jannon type by
Cardinal Richelieu Armand Jean du Plessis, Duke of Richelieu (; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as ''l'Éminence rouge'', or "the Red Eminence", a term derived from the ...
, while Warde in 1926 more plausibly suggested it might be a garbled recollection of Jannon's work with the Sedan Academy, which operated much like a university despite not using the name. Carter in the 1970s followed this conclusion. Mosley, however, concludes that no report of the term (or much use of Jannon's type at all) exists before the nineteenth century, and it may originate from a generic term of the previous century simply meaning older or more conservative typeface designs, perhaps those preferred in academic publishing. Jannon's specimen survives in a single copy at the
Bibliothèque Mazarine The Bibliothèque Mazarine, or Mazarin Library, is located within the Palais de l'institut de France, or the Palace of the Institute of France (previously the Collège des Quatre-Nations of the University of Paris), at 23 quai de Conti in the 6t ...
in Paris. Warde, again under the pseudonym of Beaujon, published a facsimile reprint in 1927.


Notes


References

{{DEFAULTSORT:Jannon, Jean 1658 deaths French typographers and type designers French designers